This Article aimed to study the problems in the theory and practice of contemporary Chinese music performance aesthetics (1949-2019). During the 70s, the theory and practice of music performance aesthetics have focused on (1) Contemporary Chinese music performance narrative, (2) Contemporary Chinese music performance art noumenon analysis, (3) Music performance education practice, (4) Chinese discourse of music performance aesthetic principles, etc. The selected sample is the research literature of Chinese scholars and some foreign scholars on issues related to music performance from 1949 to 2019.