The present study tackles the expressive features of dolls in contemporary ceramics. It examines contemporary ceramic artistic achievements that took the forms of dolls and toys as expressive means. These forms, with their spontaneity and sense of innocence, enabled it to weave various expressive features. The present study consists of four sections. Section one presents the general framework of the study, including the problem statement, which stems from considering dolls as an artistic metaphor with which centers were abolished and the multiple expressive connotations opened between social, psychological, economic, and cultural aspects in general, leading to the expression of the different and the unfamiliar, about the marginalized, given that Dolls are commodities, concepts that invaded the world of postmodern art, with which the doll transformed from a means of expression of the naive and the simple into a conceptual input that established for a more open expression when it was introduced to art.