The present study tackles an aesthetic topic related to the study of the aesthetics of the narrative of poppet figures in contemporary ceramics. It consists of four sections. Section one is devoted to presenting the problem statement, which revolves around the aesthetics of narrative figures in contemporary ceramics, objectives, significance, and limits of the present study. The section is concluded by defining the key terms. Section two presents the theoretical framework of the study. It is subdivided into two subsections that are devoted to studying the concept of narration, the employment of puppets artistically, and a set of indicators that resulted from the theoretical framework.