ISSN: 2265-6294

The dramatic construction of wide angles in photography within the structure of the feature film

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Salam Yosef Dubai

Abstract

It is not possible to say for sure what the internal scenes are in the structure of the cinematic film, especially when filming is carried out, because the film production strives to build a place through which it tries to delude that it is the real place to be expressed, and on this basis the closed or small place, a designation that does not have its credibility on the practical ground in cinema as much as it is related to the theoretical critical aspect, and whether the place is realistic, or it is purely imaginary, the influential value of it is achieved thanks to the elements of illusion and suggestion of its existence as a reality.

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