This study discusses the symbolism of salvation in (Ashour Al-Naji) in Naguib Mahfouz's novel (The Harafish Epic) Malhamt El Harafish, (Jabalawi) in (The Children of our Alley) Awlad Haritna, and (Sayed Sayed Al-Rahimi) in (The Road) At-Tareeq. It describes the characteristics of these symbolic salvation forms and seeks to suggest explanations of these projections. It comes to an end with Naguib Mahfouz's novelistic creation through the masks of invisibility, reference, and projection. Naguib Mahfouz engaged in creating these two characters in order to wisely and evasively pass his thoughts, ideals, and attitudes away from direct confrontation with the forces of power and pressure in his society and in Arab countries