Antithesis and Opposition are An Analytical Creative Structure in the Poetry of "Ibn Hajar Al-Asqalani" and it’s Impact on The Literary Text


  • Asmaa Najem Abdulmalik Al-Dulaimi
  • Hassan Salem Hindi Ismaeel


Of the research: The research is concerned with studying the two styles of counterpoint and counterpoint in the poetry of Ibn Hajar Al-Asqalani (d. It is able to provide the text with a high literary energy, and enables the consolidation of literary meanings in the minds of the recipients, especially since the formative structure of these two methods is based on the contrast between the constituent expressions, with a deep consensual dimension in the formation of the intent of the creative meanings, achieved at the level of aesthetics of form and content that posed a challenge By itself, in a serious attempt not to rely on excessive formal improvement plans only when adopting the creative method as an analytical criterion, but rather accessing its original value, the research required a double effort to reconcile creativity with the world of values and commitment.

We have formed scientific and literary material that can be discussed as follows:

-           Presentation showing the dimensions of the topic and the approach followed.

-           theoretical thalamus; In it, we set the limits of the concept of structure, especially in its rhetorical use, in addition to a brief definition of Ibn Hajar Al-Asqalani (d. 852 AH) and an explanation of his literary approach.

-           The first topic; In it, we define counterpoint style and structure, and then select poetic models and analyze them according to the approved methodological approaches.

-           The second topic; In it, we study the interview and its aesthetic effects by selecting poetic models that have the ability to explore the value of the creative structure in literary texts.

Conclusion and results, which are proven by the most important findings we have reached