The contemplator sees clearly in the history of ancient Arab criticism the importance that our ancient critics attached to the poetic image. For them, the image was of great importance and gained a distinct appearance, as the poetry of the great ancient poets included multiple images. If we move to the modern era, we find there is a great interest in studying the poetic image. The reason for choosing this topic was the importance of the image in modern poetry, especially for the poet Abd Al-Hussain al-Janabi in his poetic achievement (Min Sifr Al-La’aat). In this research, we dealt with the definition of the poet Abdul-Hussein Al-Janabi and the concept of the image. Then there was a discussion of the poet's image types, sources and elements that were the basis for the formation of his images in his book of the Book of No's.